1-23 of 23 Books

The Motet in the Age of Du Fay
By Julie E. Cumming

St. Anne in Renaissance Music
By Michael Alan Anderson
Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Upper-Voice Structures and Compositional Process in the Ars Nova Motet
By Anna Zayaruznaya

Polyphony in Medieval Paris
By Catherine A. Bradley

The Masses and motets of William Byrd
By Joseph Kerman
Philippus cancellarius
Philippus cancellarius
By Barbara Schetter

French motets in the thirteenth century
By Mark Everist
The Motet, Rhetoric, and Religion in Renaissance Spain (Eastman Studies in Music)
The Motet, Rhetoric, and Religion in Renaissance Spain (Eastman Studies in Music)
By Todd Michael Borgerding

Motet Cycles Between Devotion and Liturgy
By Daniele V. Filippi,Agnese Pavanello

Music by Pedro de Cristo (c. 1550-1618) (Music Archive Publications)
By Owen Rees

Marc-François Bêche's collection of eleven grands motets by Esprit-Joseph-Antoine Blanchard (1696-1770)
By Tai Wai Li

Heliseo Ghibel (Ghibellini): Helysei Gibelli Eccellentissimi Motetta Super Planio Cantu Cum Quinque Vocibus et in Festis Solennibus Decanenda Liber Primus ... s. n.$$$$$ 1546) (Sixteenth-Century Motet)
By Richard Sherr
Motet Around 1500
Motet Around 1500
By Thomas Schmidt-Beste
Ritual Meanings in the Fifteenth-Century Motet
Ritual Meanings in the Fifteenth-Century Motet
By Robert Nosow
The motet as a formal type in northern Italy, ca. 1500
The motet as a formal type in northern Italy, ca. 1500
By Jon Banks
Mapping the Motet in the Post-Tridentine Era
Mapping the Motet in the Post-Tridentine Era
By Esperanza Rodriguez-Garcia,Daniele Filippi

Allegorical play in the Old French motet
By Sylvia Huot

Ritual meanings in the fifteenth-century motet
By Robert Michael Nosow

The motet in the age of Du Fay
By Julie Emelyn Cumming
Cui dono lepidum novum libellum?
Cui dono lepidum novum libellum?
By Ignace Bossuyt