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rojas fernando de -1541
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Spain of Fernando de Rojas
Spain of Fernando de Rojas
By Stephen Gilman
The Petrarchan sources of La Celestina
By A. D. Deyermond
Celestina and the Human Condition in Early Modern Spain and Italy
By Rachel Scott
Celestina and the ends of desire
Celestina and the ends of desire
By E. Michael Gerli
The Spain of Fernando de Rojas; the intellectual and social landscape of La Celestina
By Stephen Gilman
Memory in 'La Celestina'
Memory in 'La Celestina'
By Dorothy Sherman Severin
Printing in Spain, 1501-1520
Printing in Spain, 1501-1520
By Frederick John Norton
Calisto's dream and the Celestinesque tradition
By Ricardo Castells
Allegory, Decalogue, and Deadly Sins in LA Celestina
Allegory, Decalogue, and Deadly Sins in LA Celestina
By Dorothy C. Clarke
Tercera Parte de la Tragicomedia de Celestina
Tercera Parte de la Tragicomedia de Celestina
By Gaspar Gómez de Toledo,Mac E. Barrick
Vision, the Gaze, and the Function of the Senses in Celestina
Vision, the Gaze, and the Function of the Senses in Celestina
By Burke, James F.
Celestina and Castilian humanism at the end of the fifteenth century
By Ciriaco Morón Arroyo
Fernando de Rojas and the Renaissance Vision
Fernando de Rojas and the Renaissance Vision
By Ricardo Castells
The art of subversion in inquisitorial Spain
By Manuel da Costa Fontes
Love's fools -- Aucassin, Troilus, Calisto and the parody of the courtly lover
By June Hall Martin
Fernando De Rojas and the Renaissance Vision
By Ricardo Castells