

An edition of A travers chants (1862)
with an account of their relation to musical art
By Hector Berlioz
Publish Date
1915
Publisher
W. Reeves
Language
eng
Pages
216
Description:
Hector Berlioz (1803-1869) was equally prominent as composer and author. According to Harold Schonberg, he was the "foremost music critic of his time, possibly of all time." A Travers Chants is the collection of writings he himself selected from his thirty-odd years of musical journalism. These essays cover a wide spectrum of intellectual inquiry: Beethoven's nine symphonies and his opera, Fidelio; Wagner and the partisans of the "Music of the Future"; Berlioz's idols - Gluck, Weber, and Mozart. There is an eloquent plea to stop the constant rise in concert pitch (an issue still discussed today), a serious piece on the place of music in church, and a humorous and imaginative account of musical customs in China. But Berlioz's writings also contain biting satire and ridicule - of opera singers, of the Academy, of dilettantism. This new translation, phrased in lively, idiomatic English and annotated for the twentieth-century reader, is illustrated with lithographs and drawings from Berlioz's lifetime. Berlioz's writings are a treasure-house of information on nineteenth-century musical life, performance practice, and taste.
subjects: Criticism and interpretation, France, History and criticism, Music, Musical criticism, Opera, Symphony, Music, history and criticism, Opera, france, Music, history and criticism, 19th century, Music, history and criticism, 18th century, Composers, Biography
People: Carl Maria von Weber (1786-1826), Christoph Willibald Gluck (1714-1787), Christoph Willibald Gluck Ritter von (1714-1787), Ludwig van Beethoven (1770-1827), Richard Wagner (1813-1883), Wolfgang Amadeus Mozart (1756-1791)
Times: 18th century, 19th century