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This work considers the development of the lyric form in recent American poetry of the past three decades. By concentrating on the writing of Charles Bernstein, Michael Palmer and Lyn Hejinian, the author considers the attempts of contemporary poetry to problematise the identification of the lyric as a static model of subjectivity.

subjects: Criticism and interpretation,  History and criticism,  Lyric poetry,  American poetry,  American poetry, history and criticism, 20th century

People: Charles Bernstein (1950-),  Michael Palmer (1943-),  Lyn Hejinian

Times: 20th century