An edition of Origins, Imitation, Conventions (2002)
Origins, Imitation, Conventions
Representation in the Visual Arts
By James S. Ackerman
Publish Date
March 15, 2002
Publisher
The MIT Press
Language
eng
Pages
342
Description:
This collection contains studies written by art historian James Ackerman during the 1990s. The work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism.
subjects: Art criticism, Art, historiography, Art, renaissance, Modernism (art), Historiography, Art, Renaissance Art, Poststructuralism, Critique d'art, Historiographie, Art de la Renaissance, Modernisme (Art), Poststructuralisme, Post-structuralism, Criticism & Theory, Beeldende kunsten, Vernieuwing, Kunstkritiek, Art criticism--historiography, Art--historiography, N7480 .a29 2002, 701/.18