The origins and roles of instrumental music in the operas of Richard Strauss
An edition of The origins and roles of instrumental music in the operas of Richard Strauss (2012)
from concert hall to opera house
By Malcolm Rowat
Publish Date
2012
Publisher
Edwin Mellen Press
Language
eng
Pages
232
Description:
Examines Strauss's unique orchestration skills as exemplified in his tone poems and the orchestral passages of his operas while shedding further light on the controversies surrounding Strauss with respect to his music, modernity, and his personal life as it affected his music.