Illegitimate power

Description:

In Renaissance drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide range of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crisis in early modern England, reading them in relation to witchcraft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstandingly heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority.

subjects: History and criticism,  Politics and literature,  English drama,  History,  Inheritance and succession in literature,  English Political plays,  Fathers and sons in literature,  Monarchy in literature,  Kings and rulers in literature,  Power (Social sciences) in literature,  Illegitimacy in literature,  Patriarchy in literature,  Knowledge,  Illegitimate children,  English Domestic drama,  Renaissance,  Characters,  Illegitimacy,  Knowledge and learning,  Social problems in literature,  Authority in literature

People: William Shakespeare (1564-1616)

Places: Great Britain,  England

Times: 17th century,  Early modern and Elizabethan, 1500-1600,  16th century