Body-Worlds

Description:

Opicinus’s drawings complicate many of our assumptions about medieval visual culture, and spark lines of inquiry into the interplay of religion and science, the practice of experimentation, the operations of allegory in the fourteenth century, and ultimately into the status of representation itself. In 1334, an Italian priest named Opicinus de Canistris fell ill and experienced a divine vision of continents and oceans transformed into human figures, a vision which inspired numerous drawings. While they relate closely to contemporary maps and seacharts, religious iconography, medical illustration, and cosmological diagrams, Opicinus’s drawings cannot be assimilated to any of these categories. In their beautiful strangeness they complicate many of our assumptions about medieval visual culture, and spark lines of inquiry into the interplay of religion and science, the practice of experimentation, the operations of allegory in the fourteenth century, and ultimately into the status of representation itself.

subjects: Criticism and interpretation,  Medieval Drawing,  Medieval Art,  Maps in art,  Medieval Geography,  Maps,  Nautical charts,  History,  Human body,  Human figure in art,  Visual communication,  Visions in art,  Art and mental illness,  Case studies,  Biblioteca apostolica vaticana,  Symbolic aspects