English Authorship and the Early Modern Sublime

Description:

"Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon"--

subjects: English literature, history and criticism, early modern, 1500-1700,  English drama, history and criticism, early modern and elizabethan, 1500-1600,  English drama, history and criticism, 17th century,  English literature,  History and criticism,  Sublime, The, in literature,  English drama,  LITERARY CRITICISM / Semiotics & Theory,  Early modern and Elizabethan,  Early modern,  Autorschaft,  18.05 English literature