Tomeki

Brushstroke and emergence

Brushstroke and emergence

Courbet, impressionism, Picasso

By Herbert, James D.

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Publish Date

2015

Publisher

The University of Chicago Press

Language

eng

Pages

148

Description:

"No pictorial device in nineteenth-century French painting more clearly represented the free-ranging self than the loose brushstroke. From the romantics through the impressionists and post-impressionists, the brushstroke bespoke autonomous artistic individuality and freedom from convention. The question of how much we can credit to the individual brushstroke is complicated-and in Brushstroke and Emergence, James D. Herbert uses that question as a starting point for an extended essay that draws on philosophy of mind, the science of emergence, and art history."