Popular music and society

Description:

The book examines the ways in which popular music is produced, structured as text, and understood and used by audiences. It includes overviews and critiques of general theories, outlines of the most important empirical studies, and data on the contemporary production and consumption of popular music. Drawing on the theories of Adorno and Weber, Longhurst examines the contemporary organization of the music industry, the social production of music, and the effects of technological change on production. The history and politics of popular music are discussed, as are the connections of popular music and sexuality. Issues such as authenticity, stemming from the debates around black music, are addressed, and several different ways of studying the texts of popular music are reviewed. The literature on subculture and music is looked at in the context of an examination of the audience for pop music. Developing work on fans is considered, as are contemporary approaches which problematize relationships of production and consumption. . Clearly written and well illustrated, Popular Music and Society will be an excellent textbook for students in the sociology of culture, cultural studies, and media and communication studies.

subjects: Popular culture,  Popular music,  Social aspects,  Social aspects of Popular music,  History and criticism,  Popmuziek,  Sociale aspecten,  24.65 popular and light music,  Popmusik,  Gesellschaft,  Pop-Kultur,  Populärmusik,  Sociala aspekter,  Musik och samhälle,  Music industry,  History,  Music and society,  Musique populaire,  Aspect social,  Culture populaire,  Analyse,  Musiksoziologie,  Rockmusik,  Music, social aspects,  Popular music--social aspects,  Music--social aspects,  Ml3470 .l66 1995,  306.4/84,  Popular music--history and criticism,  Popular music--history and criticism--20th century,  Ml3470 .l66 2007,  306.4842,  Music