In the Ghost-House Acquainted

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“. . .a voice that connects joy with holiness, and sorrow with mystery, and all of this in a language as sharp as flint and as earthborn as the lamb . . . . <em>In the Ghost-House Acquainted</em> is extraordinary.” —Mary Oliver, in her judge’s citation for the L.L. Winship/PEN New England Award “. . .laid-back, and yet elegantly formal poems…call to mind Robert Frost in their reflecting on the day-to-day details of a rural existence, both the drudgery of tasks like feeding livestock and the quiet meditations on nature.” —<em>Library Journal</em> “Goodan’s poems envision the world as a quiet haunting, reminding us of our place as the few alive in a world overflowing with the spent energy of the dead. He posits the natural world not as an idol to be worshipped, but as an essential vehicle for spiritual survival and transcendence. Death and loss have never been so full of hope as they are in <em>In the Ghost House Acquainted</em>.” —<em>The Adirondack Review</em> “It is rare to see a poet work so hard in the physical world—serious farm labor—and still catch a fleeting glimpse of the spirit. Kevin Goodan does this convincingly because his language is so precise and his mind knows when to jump and when to stand still. This is a remarkable book.” —James Tate “Kevin Goodan’s austere poems have an eye and ear trained on the holiness of commonplace details like ‘the darkness that comes after fire.’ We can take comfort in the fact that his address to the natural world is so unflinchingly direct, for these poems are bathed in alchemical light.” —Peter Gizzi “Kevin Goodan’s poems can arrive like dumptrucks of grief, crushing gravel and fauna, torching the place, sending ash across the landscape; others unfold quietly, with reverence, working like scripture, having a kind of religious hush to them. All of them are absolutely devoid of cynicism and flippancy. It’s a unique (and often startling) experience to read them.” —Michael Earl Craig

subjects: Poetry,  Country life,  Farm life,  American pastoral poetry,  American poetry,  21st century poetry